Members of 'Piebald':


 
Travis Shettel
 
vocals 0000 - 0000  delete
 
Andrew Bonner
 
bass guitar 0000 - 0000  delete
 
Aaron Stuart
 
guitar 0000 - 0000  delete
 
Luke Garro
 
drums 0000 - 0000  delete



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'Piebald' History: 


About



“There’s definitely a human feeling in this record.” That’s what Piebald guitarist/vocalist Travis Shettel says about his band’s latest, Accidental Gentlemen (SideOneDummy Records), and the fact that — like most of the Piebald back catalog which dates back to 1995 — it’s an album that was largely tracked to analog tape, foregoing the preferred computer-based methods of recording these days. “When you compare it to many other records on the market, they sound like a weird robot machine playing songs that may or may not be good. This album sounds like human beings.”


And it’s that personal nature that’s the charm and truth of Accidental Gentlemen, an album title that partially admits to Piebald’s admission of a few faults. “The recording style was a little more haphazard than our previous albums, but in a way I think it reflects the kind of people we are,” says Shettel. “We’re gentlemen at heart, but a bit sloppy by nature. We’re coming from a sort-of losers’ standpoint, trying to win.” Perennial underdogs of the indie rock scene, the Boston and L.A.-based foursome have been fighting the good fight for well over a decade. The founding members of Piebald — Shettel, guitarist/vocalist Aaron Stuart and bassist/vocalist Andrew Bonner — cut their teeth while still in high school in the suburbs of Andover, Massachusetts, debuting with the 1995 EP, Sometimes Friends Fight. The band continued to record several well received releases throughout its fruitful career, including When Life Hands You Lemons (1997), If It Weren't For Venetian Blinds It Would Be Curtains For Us All (1999), The Rock Revolution Will Not Be Televised (2000), We Are The Only Friends We Have (2002) and All Ears, All Eyes, All The Time (2004).


The band has been fighting the good fight environmentally as well. Proponents of living a green life, Piebald tours in a vegetable-oil burning van. On a recent tour with Say Anything and MeWithoutYou (another band that converted its vehicle to bio-diesel), the earth-conscious guys saved thousands of dollars by purchasing very little gasoline, opting to recycle cooking oil from restaurant’s grease traps instead. “It just pays for itself so quickly, especially if you’re in a band,” says Shettel of the band’s “Grease Not Gas” philosophy (www.greasenotgas.com). “I think bands drive around more than they play, so you might as well drive around for free and feel good about it and have another purpose on the road outside of just playing music. It makes your whole experience on the road a little richer.” Recording Accidental Gentlemen was another interesting experience for Piebald. Spending two weeks in a barn studio at The Opium Den in North Reading, Mass., the bi-coastal band cut the 12-song collection with producer Doug Batchelder, and mixed it in L.A. with Alex Newport (At The Drive-In, The Mars Volta). The final product features songs that reflect the band’s perspectives on nature, human existence, plus social commentary. Accidental Gentlemen starts with the aptly-titled “Opener,” which Shettel says addresses the power of words and “how they can screw up your day or make you feel so good, you can’t believe it.” “Nature Wins” discusses the co-existence of humans with nature, and predicts the eventual victor. “We’ve created our cities and highways, paved over whatever we want,” says Shettel. “But you still walk down the streets of L.A. or Boston, and you’ll see the trees cracking through the pavement or that the ocean is swallowing the land, and you can’t really stop it. Even though humans have built everything without giving it a second thought, we’re still going to be the ones who aren’t here in the end and nature will still be here.”


“Getting Mugged and Loving It” is Shettel’s social commentary about getting ambushed at knifepoint while riding his bicycle in Los Angeles. “I did as much as I could verbally to fight them off,” Shettel says. “Having this new experience in life and realizing you walked away from it and all you lost was $100, you still feel like you pulled it off somehow.” “There’s Always Something Better To Do” points to the routines of a consumer-driven society. “The world tells you that you need this and that to be happy, but you don’t really need those things — you just have to feel it yourself,” says Shettel. “Happiness does not stem from something that’s on a billboard.” As for Accidental Gentlemen’s execution, Shettel notes that it’s definitely one of the most rocking albums in Piebald’s extensive roster, harking back to the band’s melodic punk-based roots. “We didn’t beat around the bush this time,” he says. “We wanted it to be a punch in the face, fall down, another punch in the face, fall down, another punch in the face. We made this record like we’re boxing.” Pulling out all the stops and putting its best foot forward — whether it’s the music or message — is always part of the Piebald’s persistent agenda. “The future is our oyster,” Shettel says, “and we are going to crack that shit open!”





Tracks by 'Piebald' 


100% Good 
Aftershave 
All Sense Is Lost 
All Sense Is Lost Postlude 
All Senses Interlude 
All Senses Lost 
All You Need Is Drums To Start A Dance Party 
American Hearts 
Anthem of New Boston 
Ants Go Marching 
Back in the Saddle Again 
The Benefits Of Ice Cream 
The Big Rip Off 
Catch You 
chris rodgers 
Chris Rogers 
Cities 
DATA 
David Lee Rock 
deflated 
Dirty Harry And The Thunderbolts 
Eight AM Departure 
Eight AM Departure 
Fat And Skinny Asses 
Fear and Loathing On Cape Cod 
Get Old Or Die Trying 
Giddy Like A Schoolgirl 
Giving Cup 
Grace Kelly With Wings 
Guess It's OK 
Guess It's Okay 
Hard Kid 
Haven't Tried It 
hillary dresser 
Holden Caufield 
Holden Caulfield 
Human Taste Test 
If Marcus Garvy Dies, Then Marcus Garvy Lives 
In Like a Lamb and Out Like a Lion 
In Like A Lion And Out Like A Lamb 
intro 
It's Going To Get Worse Before It Gets Better 
The Jealous Guy Blues 
Jula Bell 
Just A Simple Plan 
Karate Chops For Everyone But Us 
The King 
The king of the road 
King of the Road 
Location Is Everything 
Long Nights 
Look, I Just Don't Like You 
Mess With The Bulls 
The Monkey Versus The Robot 
Mount Pleasant 
New Boston Interlude 
New Coke 
The Noreaster, Pt. 4 
Oh, Johnny 
Oh Johnny 
One Hundred Percent Good 
Our Very Own Employment Agency 
Our Very Own Employment Office 
Part II: The Noreaster 
Part Of You Body Is Made Out Of Rock 
Part of Your Body 
Part of Your Body is Made Out of Rock 
Peebold 
Phillips Academy 
Piano Song in A Minor 
Present Tense 
Pretty Face 
Protagonist 
Put Your Slippers... 
Put Your Slippers On Instead 
Rich People Can't Breed 
Rock Revolution 
Rules For Mules 
Sandpaper Steering Wheel 
The Sea and a Lifesaver 
Sex Sells and (Unfortunately) I'm Buying 
She Was Just 17 
The Six Eighter 
Small Town Outside of Boston 
Song About Sex 
Song For A Piano In A Minor 
The Song That Launched A Thousand Ships 
South of Heaven 
The Stalker 
Still We Let It Choke Us 
Still We Let It Choke Us 
Sucks 
Summer of Love 
There and Back Again 
They Dont Understand us at the Academy 
time lost 
Time Lost (2) 
Timing Is Everything 
Torso 
Two Rocking Chairs on a Porch 
Two Rocking Chairs On A Porch 
vacuum 
Vain 
Waiting on the Rays 
Waste Your Time 
Watch Her Flow 
We Believe In Karma 
We Cannot Read Poetry 
Where 
Where Have All the Classics Gone 
You Won't Be Seeing Me Again 
You Wouldn't Be A Piece Without Your Moustache