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'John Gorka' History: 


About John Gorka



Godfrey Daniels is one of the oldest and most venerable music institutions in eastern Pennsylvania. A small neighborhood coffeehouse and listening room, it has long been a hangout for music lovers and aspiring musicians, and in the late 1970s, one of these was a young Moravian College student named John Gorka. Though his academic course work lay in Philosophy and History, music began to offer paramount enticements. Soon he found himself living in the club's basement and acting as resident M.C. and soundman, encountering legendary folk troubadors like Canadian singer/songwriter Stan Rogers, Eric Andersen, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him, and before long he was performing his own songs -- mostly as an opener for visiting acts. Soon he started traveling to New York City, where Jack Hardy's legendary Fast Folk circle (a breeding ground for many a major singer/songwriter) became a powerful source of education and encouragement. Folk meccas like Texas' Kerrville Folk Festival (where he won the New Folk Award in 1984) and Boston followed, and his stunningly soulful baritone voice and emerging songwriting began turning heads. Those who had at one time inspired him -- Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine Lavin, Shawn Colvin -- had become his peers.


In 1987, the young Minnesota-based Red House Records caught wind of John's talents and released his first album , I Know , to popular and critical acclaim. With unusual drive and focus, John hit the ground running and, when an offer came from Windhan Hill's Will Ackerman in 1989, he signed with that label's inprint, High Street Records. He proceeded to record five albums with High Street over the next seven years: Land of the Bottom Line, Jack's Crows, Temporary Road, Out of the Valley, and Between Five and Seven. His albums and his touring (over 150 nights a year at times) brought new accolades for his craft. Rolling Stone called him "the preeminent male singer/songwriter of the new folk movement." His rich multi-faceted songs full of depth, beauty and emotion gained increasing attention from critics and audiences across the country, as well as in Europe where his tours led him through Italy, Belgium, Scotland, Ireland, Holland, Switzerland and Germany.


Other performers also discovered his songwriting. His material is championed by many -- to date more than a score of artists have recorded and/or performed John Gorka songs, including Mary Chapin Carpenter, Mary Black and Maura O'Connell. He also started sharing tours with many notable friends -- Nanci Griffith and Mary Chapin Carpenter among them. All this has brought his music to an ever-widening audience. His video for the single "When She Kisses Me" found a long-term rotation on VH-1's "Current Country," as well as on CMT and the Nashville Network. John also graced the stage of Austin City Limits, appeared on CNN, and has been the subject of other national pro- gramming. Finally in 1998, after five successful recordings, and seven years at Windham Hill/High Street, John felt the need for a change and decided to return to his musical roots at Red House Records. The choice was driven, in part, by the artistic integrity that the label represents in an industry where the business of music too often takes precedence. As John says, "Red House is in it first for the music, and so am I. It's a good place to be." After Yesterday represents the first fruits of that reunion and reflects John's continuing commitment to the craft of songwriting. Longtime fans will find in its twelve songs John's trademark twist of lyric and attention to the details that so effectively evoke a time, a place, a person, or a range of emotion. But there are also the stirrings of new musical directions with the evocative addition of percussion from Ani DiFranco's drummer Andy Stochansky. John also shares his joy at recent changes in his life (namely a 1996 marriage and move to Minnesota, followed by the 1997 birth of a baby boy -- Bocephus Mahatma Sinatra Gorka) with cuts such as "Cypress Trees," "After Yesterday" and "When He Cries." There is a hardened knowledge, vented and voiced in "Thorny Patch" and "Wisdom." Story songs and character studies, "Amber Lee," "Silvertown" and "Zuly" engage the imagination, while a song like "Heroes" invites introspection. Though a long way from Godfrey Daniels, John Gorka is still honored to be a part of the folk tradition -- energetic acoustic music that is not a trend, not a fad, but an expression of everyday life. After Yesterday is the embodiment of that expression -- another classic release where his rich baritone voice and unique songcraft weave together in a way that can only be described as "Gorka."





Tracks by 'John Gorka' 


a Armed With A Broken Heart 
a Blue Chalk 
After Yesterday 
a Good Noise 
a The Gypsy Life 
Airstream Bohemians 
a I Saw A Stranger With Your Hair 
All That Hammering 
Always 
Always Going Home 
Amber Lee 
a The Mercy Of The Wheels 
Armed with a Broke Heart 
Around The House 
A Saint's Complaint 
a Thorny Patch 
a What Was That 
Baby Blues 
The Ballad Of Jamie Bee 
b A Saint's Complaint 
B. B. King was Wrong 
b Can't Make Up My Mind 
b Cypress Trees 
b Gravyland 
Bigtime Longsome 
b I Know 
Blue Chalk 
Blues Palace 
b The One That Got Away 
Bracero 
Branching Out 
Brown Shirts 
b Semper FI 
b Talk About Love 
Campaign Trail 
Can't Make Up My Mind 
Can You Understand My Joy? 
Carnival Knowledge 
c Love Is Our Cross To Bear 
c My Invisible Gun 
c Oh Abraham 
c Out Of The Valley 
c The Sentinel 
c Silvertown 
c Temporary Road 
c Where The Bottles Break 
Cypress Trees 
d Always Going Home 
d Amber Lee 
d I Don't Feel Like A Train 
d Jailbirds In The Bighouse 
d Like My Watch 
Dogs & Thunder 
Down in the Milltown 
Downtown Tonight 
Dream Street 
d Two Good Reasons 
d When You Walk In 
d You're On Your Way 
e After Yesterday 
e Campaign Trail 
Edgar the Party Man 
e Flying Red Horse 
e Grand Larceny 
e Heart Upon Demand 
e Shape Of The World 
e That's How Legends Are Made 
f Christmas Bells 
Flying Red Horses 
f Morningside 
f Scraping Dixie 
Full of Life 
Furniture 
f When He Cries 
Geza's Wailing Ways 
g Heroes 
Girl Of The North Country 
Good 
Good Noise 
Grand Larceny 
Gravyland 
g When I Lost My Faith 
The Gypsy Life 
Hank Senior Moment 
Heart Upon Demand 
Heroes 
h Joint Of No Return 
Houses In The Fields 
I Don't Feel Like A Train 
If I Could Forget To Breathe 
If Not Now 
I Know 
i Let Them In 
I'm From New Jersey 
I saw a Stranger with Your Hair 
Italian Girls 
Jack's Crows 
Jailbirds In the Bighouse 
January Floor 
Joint Of No Return 
j Over There 
k Wisheries 
Land of the Bottom Line 
Lay Me Down 
Let Them In 
Lighting Blues 
Lightning's Blues 
Like My Watch 
The Lock Keeper 
Looking Forward 
Look the Other Way 
Love is Our Cross to Bear 
Love Minus Zero-NoLimit 
l People My Age 
Make Them Crazy 
Mean Streak 
The Mercy Of The Wheels 
m Girl Of The North Country (cover Bob Dylan) 
Morningside 
The Mortal Groove 
My Invisible Gun 
My New Neighborhood 
Mystery to Me 
Night Is A Woman 
Oh Abraham 
Old Future 
The One That Got Away 
Out of My Mind 
Out of the Valley 
Outside 
Over There 
Paradise, Once 
Part of Your Own 
People My Age 
Poor Side 
Promnight in Pigtown 
Raven in the Storm 
Riverside 
Scraping Dixie 
Semper Fi 
The Sentinel 
Shape Of The World 
Shapes 
Silence 
Silvertown 
Soldier After All 
St. Caffeine 
Stranger in My Driver's Seat 
Sweet Love 
Talk About Love 
Temporary Road 
That's How Legends are Made 
That's Why 
Thirsty Boots 
Thorny Patch 
Thoughtless Behavior 
Track01 
Track02 
Track03 
Treasure Islands 
Trouble & Care 
Two Good Reasons 
Up Until Then 
Vinnie Charles Is Free 
War Makes War 
The Water is Wide 
What Was That 
When He Cries 
When the Ice Goes Out 
When I Lost My Faith 
When She Kisses Me 
When You Walk In 
Where The Bottles Break 
Winter Cows 
Wisdom 
Wisheries 
You're On Your Way 
Zuly