'Ellen Foley' History:
BioBorn and raised in St. Louis, Ellen left school (Webster College) and moved to New York in 1973 "to study acting for a summer. I guess I believed that myself." At nights she would sing in her boyfriend's rock band. She also pursued an acting career and soon found herself working in off-Broadway and Public Theatre productions. Said Ellen: "I started studying at H.B. Studios in Greenwich Village and found a great acting teacher, Alice Spivak, still my mentor. I started going to cattle-call auditions where literally hundreds of people were vying for one role. I first got non-paying work off-off Broadway in "new" plays such as "Sophia Equals Wisdom Part 2" and "Charlie Chestnut Rides The I.R.T". My first paying job was singing in Catskill Mountain hotels - a resort area - in a very straight musical comedy revue. I was fired, I was too odd, thank God!". Somewhat disillusioned with her situation, Ellen took another route; rock 'n' roll. She found a rock band called "Big Jive", based in Atlantic City, and joined them for 6 months as lead vocalist. Their material consisted of originals, Top 40 songs and Bessie Smith tunes. Said Ellen: "I sang Frank Sinatra's "That's Life" which was interesting to me (and a predecessor to Sid's "My Way", by the way). We made demos, got nowhere and we disbanded. When that ended I was back in New York, going to school, and auditioning for theatre. I was a token female in a comedy called "Boy Meets Boy", and waited tables." In 1975 Ellen got a part in the touring company of "The National Lampoon Show", "completely tasteless, sacrilegious - and a lot of fun", Ellen later remembered. She met Meat Loaf and Jim Steinman who also were in the show. Said Ellen: "At this time Steinman was hatching "Bat Out Of Hell", and he wrote "Paradise By The Dashboard Light" for Meat and I. After the tour I collected unemployment and auditioned with Meat and Steinman for countless record execs and producers who looked at us and said; 'Huh?!" In the meantime, Ellen got involved in a show called "YMCA" in which she reportedly played a pregnant baboon, Patty Hearst, a cheerleader and a fairy! The television series "Three Girls Three" followed next, a variety show about the lives of three cabaret-style singers (which was an American attempt at "Rock Follies"). "One day I went to a general audition for a television show called "Three Girls Three", .... all singing, all dancing, all comedy. I was flown out to Los Angeles for a screen test, and got the job. They auditioned 300 people for the parts and chose three of us. Mimi Kennedy who I'd first met at National Lampoon Show also got a part," Ellen later said. Debbie Allen was the third girl on the set. Said Ellen: "It was an amazing jump from working for free. It was a four part mini series. I had my own song each week, attempted comedy, was made very blonde and wore fancy gowns. I worked with such people as Bob Hope and Steve Martin. But I was glad it was all over. I was out of place." In retrospect, Ellen feels that the "television thing" was a crucial turning part in her career. "(Three Girls Three) was the ultimate fake situation, all Broadway, Vegas, Hollywood. I had to get back to reality," Ellen later explained, and added "At the time I had already started recording with Meat Loaf, and I spent half my time in the studio doing some heavy rock 'n' roll." Meat Loaf and Jim Steinman finally got a record deal with Steve Popovich, and snagged Todd Rundgren as a producer, Said Ellen: "So I was going from straight television to that world. Interesting. Back then I was like, Who am I, who is Meat Loaf, what is my motivation? I was awed that Todd Rundgren was producing, and that Meat Loaf was sitting in a chair and that I got to rant and rave at him. I just thought that it was fun. You know, it was amusing. Eight million records later...." Ellen didn't quite give up on television work, however. She was a summer (1977) replacement in a couple of soap operas, "Search For Tomorrow" (in which she played a deranged Nurse's Aide reject) and "One Life To Live" (a student radical). The Meat Loaf album was a very slow climber on the charts, it took almost a year to reach the top 10, so Ellen was free to pursue her acting career again. Since the Meat Loaf album was a quasi-mythic rock and roll saga originally orientated toward theatre, it was a natural transition. They were resurrecting "Hair" on Broadway in the fall of 1977 and Ellen played the lead role of Sheila. In the early months of 1978, Ellen appeared at the Kennedy Arts Centre in Washington, DC - in Jim Steinman's play, "Neverland", a rock 'n' roll Peter Pan. Ellen played the role of Wendy. Meanwhile, Ellen's performance in the Broadway revival of "Hair", led to a different role in the film version directed by Miles Foreman later in the year (and released in 1979). Foreman and choreographer Twyla Tharp allowed Foley considerable freedom in her rendition of "White Boys/Black Boys", one of the best-received sequences in the movie. |
Ellen Foley Discography:
| Release Title and date | |
| Night Out | |
| Night Out | |
| Spirit of St. Louis | |
| The Very Best of |



